This is one of the more interesting and clever French films of recent times. Yes, it dips into cliché and stereotype territory occasionally, but the dialogue and complex relationships between the actors keep it fresh and enjoyable to the end. Though intended to be just about guys of a certain age and their romantic problems (see Attal's interview in the DVD bonus features), I would say the women steal the show in many ways. Charlotte Gainsbourg is truly wonderful and delivers a very emotional, multi-dimensional performance. Ditto for the beautiful Angie David, playing Attal's mistress. But watch out for Emmanuelle Seigner! She is hilarious as Alain Chabat's ball-busting wife, and deserves to have her screen-time doubled at least. (Indeed, though this film is a sensitive treatment of the serious subject of the pain of infidelity, there are several moments where one loses one's breath laughing.) Attal adds interesting, unusual elements, such as the periodic food/water fights with his wife and Johnny Depp's superb cameos, and overall does a commendable job with the script.
Analytic sidebar: Reading between the lines, it appears that this film is intended to convey the message that having a mistress is okay, and the alternate ending (DVD bonus features again) reveals Attal cagily continuing his affair to the end (though this ending did not test well - tellingly - and was changed for the final release). Attal reveals in the bonus interview that he purposely portrayed his wife as a wonderful, understanding, gem of a woman and yet wanted to show that it was still also okay for his character to have a mistress. This adds an extra splash of perverse pathos to the film - Attal writing a script about how it's okay for him to have a mistress, and then casting his own wife in the role of his on-screen wife. Ouch. A bit self-serving in retrospect (though, to be fair, never creeping into Woody Allen territory). Stiff upper lip, Charlotte.
In sum, a fine film, innovative in pleasant ways, and full of great performances.
Analytic sidebar: Reading between the lines, it appears that this film is intended to convey the message that having a mistress is okay, and the alternate ending (DVD bonus features again) reveals Attal cagily continuing his affair to the end (though this ending did not test well - tellingly - and was changed for the final release). Attal reveals in the bonus interview that he purposely portrayed his wife as a wonderful, understanding, gem of a woman and yet wanted to show that it was still also okay for his character to have a mistress. This adds an extra splash of perverse pathos to the film - Attal writing a script about how it's okay for him to have a mistress, and then casting his own wife in the role of his on-screen wife. Ouch. A bit self-serving in retrospect (though, to be fair, never creeping into Woody Allen territory). Stiff upper lip, Charlotte.
In sum, a fine film, innovative in pleasant ways, and full of great performances.