A bunch of teenage delinquents are taken to a remote British island in order to 'build character', but are picked off by an unseen assailant in a variety of gruesome ways.
Wilderness, a violent British made survivalist horror, is another clunker from director Michael J. Bassett, the man who gave us the decidedly lame WW1 chiller Deathwatch. Once again, Bassett presents us with another poorly thought out movie saddled with a ridiculous conceit, a poor cast (when Sean Pertwee is the best actor on the bill, something is definitely up), and a very bad script.
Even if a large picturesque island paradise off the coast of the UK actually existed, the idea that it could possibly remain totally uninhabited is unbelievably daft. The thought that it would be reserved solely for the use of correctional facilities is absurd. And the notion that a group of violent offenders would be taken to said island accompanied by a single supervisor is totally moronic.
And with the majority of the movie's characters being juvenile scumbags and unlikable thugs, it is impossible to feel any sympathy for most of those who die. In fact, I was quite happy to see these miserable excuses for human beings get their comeuppance.
In an attempt to distract his audience from all of these shortcomings, Bassett piles on the gore, with maulings by savage dogs, crossbow attacks, dismemberment and immolation. But even a high level of impressively realistic bloodletting doesn't stop one from noticing that the film is basically a bit of a stinker.
Wilderness, a violent British made survivalist horror, is another clunker from director Michael J. Bassett, the man who gave us the decidedly lame WW1 chiller Deathwatch. Once again, Bassett presents us with another poorly thought out movie saddled with a ridiculous conceit, a poor cast (when Sean Pertwee is the best actor on the bill, something is definitely up), and a very bad script.
Even if a large picturesque island paradise off the coast of the UK actually existed, the idea that it could possibly remain totally uninhabited is unbelievably daft. The thought that it would be reserved solely for the use of correctional facilities is absurd. And the notion that a group of violent offenders would be taken to said island accompanied by a single supervisor is totally moronic.
And with the majority of the movie's characters being juvenile scumbags and unlikable thugs, it is impossible to feel any sympathy for most of those who die. In fact, I was quite happy to see these miserable excuses for human beings get their comeuppance.
In an attempt to distract his audience from all of these shortcomings, Bassett piles on the gore, with maulings by savage dogs, crossbow attacks, dismemberment and immolation. But even a high level of impressively realistic bloodletting doesn't stop one from noticing that the film is basically a bit of a stinker.