this is pretty much what one would expect of a German film shot in India... especially one made by a German director as his first feature.
filled with "third world pathos", bathed in earth tones and warm colours, saturated with patronizing 'noble savage' ideas, the best thing one can say about "schatten der zeit" is that it is often picturesque. at the end of the day, calcutta is a very visually interesting place and juergen juerges a very fine cinematographer. all this is far from enough to save this movie, which is ultimately very offensive...
florian gallenberger is a very wealthy young German "aristocrat" (at least he claims to be) who achieved 'oscar' success with his short film "quiero ser", again set in a poor country and centered on the 'milieu of the miserable' to be found there. he has obviously decided this formula works for him, and decided to write a 'truly Indian' story set in calcutta (a city and country to which he had no connection beforehand). ultimately, people can and should do whatever they want, but I hope audiences don't choose to support such parasitical works with their money or attention... this film was deservedly a critical and commercial failure...
filled with "third world pathos", bathed in earth tones and warm colours, saturated with patronizing 'noble savage' ideas, the best thing one can say about "schatten der zeit" is that it is often picturesque. at the end of the day, calcutta is a very visually interesting place and juergen juerges a very fine cinematographer. all this is far from enough to save this movie, which is ultimately very offensive...
florian gallenberger is a very wealthy young German "aristocrat" (at least he claims to be) who achieved 'oscar' success with his short film "quiero ser", again set in a poor country and centered on the 'milieu of the miserable' to be found there. he has obviously decided this formula works for him, and decided to write a 'truly Indian' story set in calcutta (a city and country to which he had no connection beforehand). ultimately, people can and should do whatever they want, but I hope audiences don't choose to support such parasitical works with their money or attention... this film was deservedly a critical and commercial failure...