Howard Hawks is one of our finest and most underrated directors. I believe it was Leonard Maltin who stated that Hawks is "the best director you've never heard of". Meaning that Hawks is commonly not mentioned with the likes of Ford, Hitchcock and Welles. This is probably because Hawks usually made "popular" films that focused on dialogue, character development, and speed (whether action or comedy) to set himself apart. Hawks had complete confidence that the audience liked what he liked.....and most of the time he was right! Beginning in 1939 Hawks began a streak of hits that would continue into the early 50's. After making Bringing Up Baby (something of a flop...now a classic) Hawks departed RKO after being replaced as director of Gunga Din (whose story he had a big hand in developing) and made this film at Columbia. Hawks intention was to make a film about the daredevil attitudes and experiences of pilots flying the mail in South America. The safety conditions for these pilots are non-existent and as a result they live each day as though it was their last.
More than most movies this film is often pointed to as a summation of the "Hawksian" style. A group of men working closely to accomplish a common goal who are united by the dangers involved. These men are not "family men" or people with long term aspirations. They live in the moment and find their meaning through their comraderie and understated support of each other. As with most Hawksian dialogue (Jules Furthman would become a regular Hawksian writer after this one) it is understated and never overly emotional. The fun begins in Hawks films when a woman arrives who is often more than a match for the man she's in love with! (this pattern prevailed in the comedies as well).
In this film Cary Grant, who is one of the greatest "Hawksian" actors, plays Geoff the head of the air mail airline who has sworn off women because they just don't seem to deal with his dangerous lifestyle. Therefore Geoff deals with women in a very cavalier way. Jean Arthur is American woman who arrives and turns his world upside down. But this film is not just a romance. There are multiple relationships between the characters that keep the viewer engrossed. Thomas Mitchell is most intriguing as the "buddy" who has been with Geoff for a long time and is quite subtle in his dedication toward his friend. Richard Barthlemess is outstanding in a late career role as the pilot with a checkered past who has to win over the trust of the other flyer's. (he's already won over the trust of Rita Hayworth, which is nothing to sneeze at!)
Only Angels Have Wings is one of Hawks best, and perhaps most personal stories. Hawks claimed that it was one of his most "true" films in that he had been a flyer in World War I and was very interested in the dynamics between the early daredevils of aviation. The film moves along at a crisp pace and contains many tense, gripping scenes that keep the viewer entertained despite the Hawksian emphasis of character/dialogue over plot.
Angels was a huge hit for Hawks and was the beginning of his most successful decade in Hollywood. In terms of influence Hawks would give ANY golden age director a run for his money. Directors such as Quentin Tarantino, John Carpenter, and Martin Scorcese would agree! Hawks films are worth studying and "Only Angels have Wings" is a textbook sample. I highly recommend it! 10 Stars!!!!!!!!
More than most movies this film is often pointed to as a summation of the "Hawksian" style. A group of men working closely to accomplish a common goal who are united by the dangers involved. These men are not "family men" or people with long term aspirations. They live in the moment and find their meaning through their comraderie and understated support of each other. As with most Hawksian dialogue (Jules Furthman would become a regular Hawksian writer after this one) it is understated and never overly emotional. The fun begins in Hawks films when a woman arrives who is often more than a match for the man she's in love with! (this pattern prevailed in the comedies as well).
In this film Cary Grant, who is one of the greatest "Hawksian" actors, plays Geoff the head of the air mail airline who has sworn off women because they just don't seem to deal with his dangerous lifestyle. Therefore Geoff deals with women in a very cavalier way. Jean Arthur is American woman who arrives and turns his world upside down. But this film is not just a romance. There are multiple relationships between the characters that keep the viewer engrossed. Thomas Mitchell is most intriguing as the "buddy" who has been with Geoff for a long time and is quite subtle in his dedication toward his friend. Richard Barthlemess is outstanding in a late career role as the pilot with a checkered past who has to win over the trust of the other flyer's. (he's already won over the trust of Rita Hayworth, which is nothing to sneeze at!)
Only Angels Have Wings is one of Hawks best, and perhaps most personal stories. Hawks claimed that it was one of his most "true" films in that he had been a flyer in World War I and was very interested in the dynamics between the early daredevils of aviation. The film moves along at a crisp pace and contains many tense, gripping scenes that keep the viewer entertained despite the Hawksian emphasis of character/dialogue over plot.
Angels was a huge hit for Hawks and was the beginning of his most successful decade in Hollywood. In terms of influence Hawks would give ANY golden age director a run for his money. Directors such as Quentin Tarantino, John Carpenter, and Martin Scorcese would agree! Hawks films are worth studying and "Only Angels have Wings" is a textbook sample. I highly recommend it! 10 Stars!!!!!!!!