Review of Amerika

Amerika (1987)
8/10
gulag USA
24 December 2006
I can imagine President George IV sr sitting with his advisors following the colossal defeat in the 1992 election pleading with them to tell him one major accomplishment of the first bush regime. A timorous lackey stammered: in the Bush regime the US became the world's leading super-power. And what did I do to cause that? asks Bush the elder. Nothing came the reply; the USSR went bankrupt.

By the time of the first Gulf War, the US and USSR were like two drunks staggering home from a bar after a night of carousing. It was only a question of which would stumble first.

Amerika tells the story of the alternative history. What if it had been the other way around? There's a picture of much of the debasement and exploitation that accompanies subjugation. Good leaders end up in jail; adventurous people strike out and make a go at it elsewhere; the conquerer has no want of quislings willing to debase themselves at a price.

Amerika is the story of two families: the Bradfords and the Milfords. The Milfords for the most part oppose the occupation. Kris Kristofferson plays Devin Milford the figure around which the opposition rallies. As the story opens he is being released from jail. While his wife has sold out to the occupier, his father and his boys are active in the resistance.

The backdrop of the story is well constructed. The secret path by which the resistance moves people around is called THE UNDERGROUND RAILROAD; they've adopted much of the counter-culture music of the 60s as songs of rebellion.

In the quisling corner is Robert Urich as Peter Bradford an amiable sort trying to persuade himself that he is following the right course in building the quisling state of HEARTLAND out of the central midwestern states.

Strangely the film did accurately predict what happened to our enemy inside the Soviet union when the Communists fell. It is worth revisiting.
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