Some universities and colleges would grant a 4.0 average to the roommates of students that commit suicide. That said, there is always someone who figures out a way to get rid of an obnoxious student if it would mean grades one didn't earn. Leave it to some college kids to figure out a way to get into prestigious schools with little intelligence to justify the artificially inflated grades given to them in order to appease the ordeals they've been through.
This is the premise of Dan Rosen's thriller "Dead Man's Curve". Mr. Rosen trying to capitalize on other movies directed to younger audiences, created a story with many twists and turns. Some of the plot devices work, while the viewer is left to ponder some of the logic behind what is presented on the screen. The film, as some of the comments do suggest, will resonate more with American audiences because they might be more aware of this curious fact that some of our higher institutions of learning reward students that come close to tragedy.
There are four people that can gain admittance to Harvard, one of the elite centers for learning in the country. Tim and Chris conspire to get rid of the boorish and obnoxious Rand and by doing so, they will be admitted to the place of their dreams, almost by osmosis, since they don't have the grades to prove their intelligence. But Rand's body is never found, so can it be considered a true suicide? When the police appears to interrogate them, Tim suddenly switches his story and Chris' account of what happened is questioned by the detectives.
The second plot involves Emma, who is Chris' girlfriend. She also has her own agenda. When Natalie, her roommate, who had been going with Rand, tests positive as being pregnant, puts the Canadian co-ed into a suicidal mood. Emma will stand to receive the good grades and has an assured future, or so it seems. It is at this point when another twist that comes out of nowhere occurs. Rand, who didn't die, resurfaces. His explanation doesn't convince, but here is where one gets to the real point in the film. Chris, it turns out has done some planning on his own, really wants to get rid of Tim.
The intense Matthew Lillard gives an over the top performance as Tim, the man at the center of the story. Michael Vartan plays Chris and Randall Baliskoff is seen as Rand. Keri Russell, a gorgeous creature, appears as the sweet Emma, an ambitious girl, herself. Dana Delaney's role is not justified as the psychiatrist that acts as a sort of a Catholic priest, knowing the students' secrets, but not coming forward to denounce what really is going on.
This is the premise of Dan Rosen's thriller "Dead Man's Curve". Mr. Rosen trying to capitalize on other movies directed to younger audiences, created a story with many twists and turns. Some of the plot devices work, while the viewer is left to ponder some of the logic behind what is presented on the screen. The film, as some of the comments do suggest, will resonate more with American audiences because they might be more aware of this curious fact that some of our higher institutions of learning reward students that come close to tragedy.
There are four people that can gain admittance to Harvard, one of the elite centers for learning in the country. Tim and Chris conspire to get rid of the boorish and obnoxious Rand and by doing so, they will be admitted to the place of their dreams, almost by osmosis, since they don't have the grades to prove their intelligence. But Rand's body is never found, so can it be considered a true suicide? When the police appears to interrogate them, Tim suddenly switches his story and Chris' account of what happened is questioned by the detectives.
The second plot involves Emma, who is Chris' girlfriend. She also has her own agenda. When Natalie, her roommate, who had been going with Rand, tests positive as being pregnant, puts the Canadian co-ed into a suicidal mood. Emma will stand to receive the good grades and has an assured future, or so it seems. It is at this point when another twist that comes out of nowhere occurs. Rand, who didn't die, resurfaces. His explanation doesn't convince, but here is where one gets to the real point in the film. Chris, it turns out has done some planning on his own, really wants to get rid of Tim.
The intense Matthew Lillard gives an over the top performance as Tim, the man at the center of the story. Michael Vartan plays Chris and Randall Baliskoff is seen as Rand. Keri Russell, a gorgeous creature, appears as the sweet Emma, an ambitious girl, herself. Dana Delaney's role is not justified as the psychiatrist that acts as a sort of a Catholic priest, knowing the students' secrets, but not coming forward to denounce what really is going on.