Married New York City lawyer with Southern roots returns to his hometown in Georgia strictly on business, managing to dig up secrets from the past as well as rekindling a distant romance. Despite some flashbacks near the beginning, a lean and straightforward adaptation of Hamilton Basso's book (its inelegant title changed to "Secret Interlude" overseas). The film manages to skirt overwrought melodrama with help from a literate screenplay by Philip Dunne, who also directed. However, with themes of interracial relations and extra-marital intimacy, the picture really shouldn't be so plodding. The performers are well-cast (and their divergent accents aren't a big distraction), but the blaring music by Elmer Bernstein seeks out more intensity on the screen than what we're getting, especially during the romantic clinches. Handsome film is well-produced, yet the plot is merely routine. ** from ****
Review of The View from Pompey's Head
The View from Pompey's Head
(1955)
Sturdy melodrama nevertheless a product of its time...
18 November 2006