For some reason, over the years I failed to see this particular John Ford western, thinking it was probably just another cavalry yarn and I'd seen so many of them I figured I'd let this one pass.
Wrong. It's now among my favorite John Ford westerns with both JOHN WAYNE and MAUREEN O'HARA giving really heartfelt performances as a husband and wife separated for some time, their only son (CLAUDE JARMAN, JR.) having just joined the regiment as a soldier under his father's command at an outpost being menaced by Apaches.
There's a jaunty, rollicking score by Victor Young that captures ballads of the Old West to provide some colorful background music, wonderful scenes of soldiers training under VICTOR McLAGLEN (at his crustiest and endearingly funny), BEN JOHNSON (wonderful as a man on the lam), and the breezily confident HARRY CAREY, JR. It's even got a story that has more than one theme running through it--the personal conflict between father and son, husband and wife, and how the young son (played extremely well by Claude Jarman, Jr.) has to prove himself to his fellow soldiers.
The final shootout occurs when the Apaches kidnap some children and hold them prisoners in a church. It sets the stage for the final encounter, just one of several skirmishes with the Indians that is masterfully staged and photographed.
Pictorially, it's one of the handsomest of all the John Ford epics and should definitely have been filmed in Technicolor, although the B&W photography is indeed impressive. MAUREEN O'HARA gives one of her most sensitive portrayals and JOHN WAYNE is at his best.
Summing up: A solid western well worth watching whether you're a John Ford fan or not.
Wrong. It's now among my favorite John Ford westerns with both JOHN WAYNE and MAUREEN O'HARA giving really heartfelt performances as a husband and wife separated for some time, their only son (CLAUDE JARMAN, JR.) having just joined the regiment as a soldier under his father's command at an outpost being menaced by Apaches.
There's a jaunty, rollicking score by Victor Young that captures ballads of the Old West to provide some colorful background music, wonderful scenes of soldiers training under VICTOR McLAGLEN (at his crustiest and endearingly funny), BEN JOHNSON (wonderful as a man on the lam), and the breezily confident HARRY CAREY, JR. It's even got a story that has more than one theme running through it--the personal conflict between father and son, husband and wife, and how the young son (played extremely well by Claude Jarman, Jr.) has to prove himself to his fellow soldiers.
The final shootout occurs when the Apaches kidnap some children and hold them prisoners in a church. It sets the stage for the final encounter, just one of several skirmishes with the Indians that is masterfully staged and photographed.
Pictorially, it's one of the handsomest of all the John Ford epics and should definitely have been filmed in Technicolor, although the B&W photography is indeed impressive. MAUREEN O'HARA gives one of her most sensitive portrayals and JOHN WAYNE is at his best.
Summing up: A solid western well worth watching whether you're a John Ford fan or not.