Have to admit I didn't read Sir Walter Scott's "The Talisman" in which this film is supposed to be based on. If "King Richard and the Crusaders is a good version of the book I'm glad I didn't.
This movie is sort of colorful with some acceptable gowns (I didn't say accurate), Virginia Mayo has some good profile shots (I didn't say scenes), George Sanders renders an acceptable performance as the title character and Robert Douglas plays fine one of his usual costume villains. And that's about all.
The medieval extravaganza looks definitely as a low budget one with not much credible situations, lots of full speed horseback riding towards nowhere, standard swordplay and that originally ridiculous undercover doctor (Saladin himself) curing his enemy Richard wounded by an arrow thrown by his own men. Nobody understands either why really Douglas wants to kill his king; I mean they say why, but its not enough reason (too standard). And there's one of the most insipid and dull heroes ever in a medieval film: Laurence Harvey as Kenneth The Leopard with a blonde wig, a wooden acting and ridiculous lines in his romantic scenes with Mayo (it's hard to understand how Harvey went into a reasonable film career if his first roles where like this one).
The only explanation for this picture being made could be that the producers tried to take advantage of the ticket box's success of "Ivanhoe" (based on Walter Scott's best novel) and "Knights of the Round Table" both released a short time before. If my guess is right, they failed completely.
This movie is sort of colorful with some acceptable gowns (I didn't say accurate), Virginia Mayo has some good profile shots (I didn't say scenes), George Sanders renders an acceptable performance as the title character and Robert Douglas plays fine one of his usual costume villains. And that's about all.
The medieval extravaganza looks definitely as a low budget one with not much credible situations, lots of full speed horseback riding towards nowhere, standard swordplay and that originally ridiculous undercover doctor (Saladin himself) curing his enemy Richard wounded by an arrow thrown by his own men. Nobody understands either why really Douglas wants to kill his king; I mean they say why, but its not enough reason (too standard). And there's one of the most insipid and dull heroes ever in a medieval film: Laurence Harvey as Kenneth The Leopard with a blonde wig, a wooden acting and ridiculous lines in his romantic scenes with Mayo (it's hard to understand how Harvey went into a reasonable film career if his first roles where like this one).
The only explanation for this picture being made could be that the producers tried to take advantage of the ticket box's success of "Ivanhoe" (based on Walter Scott's best novel) and "Knights of the Round Table" both released a short time before. If my guess is right, they failed completely.