9/10
Slow, Meditative and Beautiful
7 October 2006
This ain't no Hollywood movie, it isn't even the run of the mill foreign film. It is pure Japanese Zen. The isolation of the crowd – lack of meaningful contact between humans – In Yoko's family more words mean less- A soulful sort of warmth exists between Yoko and the book store friend, he searches for something significant in recording of train sounds- The warmest exchange is between Yoko, her mother and a neighbor during a scene of borrowing sake and a glass for the father- who is a walking stone sculpture. The father of the unborn child is a mysterious stranger to us the viewer and is only referred to but never seen. One young woman and her relationship with trains is as significant as any human contact in her life.

At any point in this film you can push pause and have an interesting photograph to ponder – every scene is a composed beauty.
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