Odd one should be able to stumble into "Classe Tous Risques" only by chance; it should be on any "best of film-noir" list, including IMDb's.
Lino Ventura is as good as ever; knowing of his dire, delicate family situation gives extra weight to his almost expressionless face and brief dialogues. Belmondo's restrained performance under Sautet's firm direction only shows what a wonderful actor he could - and should -have been.
"Classe Tous Risques" is utterly mininal, dry and cold, without Melville's artistic scenery, pretty faces and fancy cars. It is almost film-noir meet neo-realism. Davos' few, hard words to his children describing their life of secrecy from there on get a hold on your throat to the end of the film.
The final sentence of the film - a voice-over telling of Davos' end in no more than ten dry, sombre words - leaves you with a hard punch in the stomach.
A true jewel in the great crown of French film-noir.
Lino Ventura is as good as ever; knowing of his dire, delicate family situation gives extra weight to his almost expressionless face and brief dialogues. Belmondo's restrained performance under Sautet's firm direction only shows what a wonderful actor he could - and should -have been.
"Classe Tous Risques" is utterly mininal, dry and cold, without Melville's artistic scenery, pretty faces and fancy cars. It is almost film-noir meet neo-realism. Davos' few, hard words to his children describing their life of secrecy from there on get a hold on your throat to the end of the film.
The final sentence of the film - a voice-over telling of Davos' end in no more than ten dry, sombre words - leaves you with a hard punch in the stomach.
A true jewel in the great crown of French film-noir.