This film is highly reminiscent of some of the films by Georges Méliès because of the film's extensive use of trick cinematography--an art perfected by Méliès before the director of this film got his start. In fact, the Méliès short THE UNTAMABLE WHISKERS (1904) is an awful lot like this film except instead of just having cartoons come to life due to stop-motion, this earlier film features Georges Méliès himself interacting with the drawings. Both are pretty antiquated by today's standards, but because they are short and pretty creative, they are also both very watchable. This J. Stuart Blackton film isn't quite as good or innovative, but this shouldn't stop you from giving it a look on google video.
Review of Humorous Phases of Funny Faces
