"Children of the Corn IV: The Gathering" is the fourth installment in the "Children of the Corn" series, and was surprisingly a decent sequel. After the horrible monster effects in Part III's finale (which almost completely ruined the movie for me) I was hoping "The Gathering" would head in a new direction, which it did. This sequel concerns a small town in the midwest. Naomi Watts plays Grace, a medical student who returns to care for her mother, and in turn, her young siblings, who begin to display a strange illness manifesting in all the town's children. Turns out that the cult of children are back, trying to recruit more young'ns (after killing their parents) into their organization for "he who walks behind the rows".
No doubt, one of the most memorable things about this film is Naomi Watts' performance, who showed chops even her in her first lead role. I'm sure most people who see this will recognize her from the hit Japanese remake "The Ring."
Even still, "Children of the Corn IV: The Gathering" is one of the standout films of the series for a variety of other reasons. It is well-shot, for one; while it is a direct-to-video picture, it surprisingly doesn't really look like one. There is an unnerving sleepiness to the film that plays off of the bucolic midwestern set pieces, and some phenomenally creepy sequences featuring Karen Black as Watts' agoraphobic mother. The film makes ample use of its dusty farmhouses and the sinister images of children lurking across the road.
Granted, the film does show its B-movie teeth in some of the murder sequences, which are far- fetched and at times absurd, but the splatter factor here is strong and the gore effects are rather convincing overall. Another obvious but vital element to this film working as well is it does is the strength of the performances. Watts, again, is great in her first lead here, and Karen Black is phenomenal as she always is— the role leaves her plenty of room to act out the eccentricities she does so well. Even the performances from the children are above-average for a film like this.
Overall, if you're a fan of the series, this is one of the better (and perhaps maybe the best) sequel. It's a "Children of the Corn" sequel, so obviously it is not a flawless film, but it is well-shot and there are a handful of genuinely effective moments to be had, and the film paces itself well without devolving into schlock. Enjoy your straight-to-video splat with a side of Watts and Karen Black— how can you go wrong? 7/10.
No doubt, one of the most memorable things about this film is Naomi Watts' performance, who showed chops even her in her first lead role. I'm sure most people who see this will recognize her from the hit Japanese remake "The Ring."
Even still, "Children of the Corn IV: The Gathering" is one of the standout films of the series for a variety of other reasons. It is well-shot, for one; while it is a direct-to-video picture, it surprisingly doesn't really look like one. There is an unnerving sleepiness to the film that plays off of the bucolic midwestern set pieces, and some phenomenally creepy sequences featuring Karen Black as Watts' agoraphobic mother. The film makes ample use of its dusty farmhouses and the sinister images of children lurking across the road.
Granted, the film does show its B-movie teeth in some of the murder sequences, which are far- fetched and at times absurd, but the splatter factor here is strong and the gore effects are rather convincing overall. Another obvious but vital element to this film working as well is it does is the strength of the performances. Watts, again, is great in her first lead here, and Karen Black is phenomenal as she always is— the role leaves her plenty of room to act out the eccentricities she does so well. Even the performances from the children are above-average for a film like this.
Overall, if you're a fan of the series, this is one of the better (and perhaps maybe the best) sequel. It's a "Children of the Corn" sequel, so obviously it is not a flawless film, but it is well-shot and there are a handful of genuinely effective moments to be had, and the film paces itself well without devolving into schlock. Enjoy your straight-to-video splat with a side of Watts and Karen Black— how can you go wrong? 7/10.