For a movie that was released 40 years ago, this one has aged particularly well.
I think I'm not exaggerating by saying that this movie represents something of a precursor of the Monty Python movies, alas, not so irreverent. But the way it deals with the topic, and the imaginative gags and inter-cuts that it has, can only remind you of those English geniuses.
But is also many things. A little of Three Stooges here. Even a little Chaplin there...
How you can make something funny out of the situation of a family (the main character and his aunt) that cannot get his relative buried, and have to keep him home until the red tape is overpowered, without losing sight of the human touch and their despair?. You'd need a very skillful director to juggle all that successfully.
I Haven't seen or heard of a Latin American movie like this one. It must be considered a milestone in Latin American cinema (and certainly, in world cinema). Regretfully, not the style, or the genius of the director Tomás Gutiérrez Alea, seem to have had dedicated followers. I'm afraid that has something to do with the Cuban origin, not because of Cuban backlash, but because of lack of interest or attention over Cuban art during the 60's. Latin America has produced a lot of movies, but most of them are dead serious. When somebody comes with the idea of a comedy, it is very light, unfunny and clichéd, nothing to tell the world about, with very few exceptions.
That's why I was surprised by LA MUERTE DE UN BURÓCRATA and I highly recommend it, if you can find it somehow.
I think I'm not exaggerating by saying that this movie represents something of a precursor of the Monty Python movies, alas, not so irreverent. But the way it deals with the topic, and the imaginative gags and inter-cuts that it has, can only remind you of those English geniuses.
But is also many things. A little of Three Stooges here. Even a little Chaplin there...
How you can make something funny out of the situation of a family (the main character and his aunt) that cannot get his relative buried, and have to keep him home until the red tape is overpowered, without losing sight of the human touch and their despair?. You'd need a very skillful director to juggle all that successfully.
I Haven't seen or heard of a Latin American movie like this one. It must be considered a milestone in Latin American cinema (and certainly, in world cinema). Regretfully, not the style, or the genius of the director Tomás Gutiérrez Alea, seem to have had dedicated followers. I'm afraid that has something to do with the Cuban origin, not because of Cuban backlash, but because of lack of interest or attention over Cuban art during the 60's. Latin America has produced a lot of movies, but most of them are dead serious. When somebody comes with the idea of a comedy, it is very light, unfunny and clichéd, nothing to tell the world about, with very few exceptions.
That's why I was surprised by LA MUERTE DE UN BURÓCRATA and I highly recommend it, if you can find it somehow.