Although the film opens with the credit "Andy Warhol Presents", it was actually written, photographed and directed by cult film-maker Paul Morrissey (according to Morrissey, all Warhol provided was money and publicity).
Joe Dallesandro (immortalised as "little Joe" in the Velvet Underground song "Walk on the Wild Side") plays Joe, a slightly dim-witted male prostitute, who is supporting his bisexual wife and baby. His wife wants him to come up with $200 for her girlfriend's abortion. We basically follow Joe around as he encounters various characters willing to help him, including an artist who wants to pay him to pose nude, and Warhol "superstars" Candy darling and Jackie Curtis.
Despite being amateurishly shot, with countless technical errors, the most annoying of which is a very badly-recorded soundtrack, the film is fascinating due to it's delving into a world rarely seen on mainstream screens, which probably doesn't exist anymore. Although many scenes do go on for too long, it's too startling to be dull. Fans of Joe Dallesandro will no doubt enjoy his frequent exposure (he provides most of the flesh of the title).
If you're a fan of cult or underground films, you'll not want to miss this. It was followed by "Trash" (1970) and "Heat" (1972) to form a loose trilogy.
Joe Dallesandro (immortalised as "little Joe" in the Velvet Underground song "Walk on the Wild Side") plays Joe, a slightly dim-witted male prostitute, who is supporting his bisexual wife and baby. His wife wants him to come up with $200 for her girlfriend's abortion. We basically follow Joe around as he encounters various characters willing to help him, including an artist who wants to pay him to pose nude, and Warhol "superstars" Candy darling and Jackie Curtis.
Despite being amateurishly shot, with countless technical errors, the most annoying of which is a very badly-recorded soundtrack, the film is fascinating due to it's delving into a world rarely seen on mainstream screens, which probably doesn't exist anymore. Although many scenes do go on for too long, it's too startling to be dull. Fans of Joe Dallesandro will no doubt enjoy his frequent exposure (he provides most of the flesh of the title).
If you're a fan of cult or underground films, you'll not want to miss this. It was followed by "Trash" (1970) and "Heat" (1972) to form a loose trilogy.