as he writes his travel column. His column is a metaphor for being the "passive observer" who travels and critiques places, but never truly appreciates them...not until Geena Davis comes along, at any rate.
Hurt plays Macon Leary, a man who has existed, but not truly experienced life. Kathleen Turner is the estranged wife, due to the accidental death of their young son, a tragedy which causes Hurt to withdraw. As another reviewer mentioned, one should watch this excellent film several times, as there is much innuendo and insight into human behavior. Bill Pullman portrays Hurt's publisher, who is amused and intrigued by his eccentric family.
What a cast! Ed Begley Jr., Amy Wright, Hurt and David Ogden Stiers are all siblings (over age 40), who still live in their grandmother's house, complete with 1930's wallpaper, a pantry that is alphabetically organized by the sister, and a phone that is never answered because they "don't need it". Pullman is priceless as he visits Hurt for dinner, and falls in love with Rose (Amy Wright) for her old-fashioned persona.
Macon's dog is comic relief, but also the liaison with Geena Davis, an offbeat dog-trainer. She is quite good, and insinuates her way into Macon's ordered world. She is a single mother struggling, and Robert Hy Gorman is excellent as her young son, Alexander. Macon finds himself growing attached to Davis, her son, and her wayward life. He helps the son with schoolwork, and realizes he can still be open to new relationships. Even after all the tragedy.
Kathleen Turner attempts reconciliation,and offers Macon a stable ordered life of commonality. Davis offers instability, excitement and unpredictability. Which will he choose? This is not just a romantic drama, it is a serious character study about control, relationships, and difficult choices. It is one of the few films in which the difficulties of marriage are sensitively addressed, and the acting is superb.
Hurt plays Macon Leary, a man who has existed, but not truly experienced life. Kathleen Turner is the estranged wife, due to the accidental death of their young son, a tragedy which causes Hurt to withdraw. As another reviewer mentioned, one should watch this excellent film several times, as there is much innuendo and insight into human behavior. Bill Pullman portrays Hurt's publisher, who is amused and intrigued by his eccentric family.
What a cast! Ed Begley Jr., Amy Wright, Hurt and David Ogden Stiers are all siblings (over age 40), who still live in their grandmother's house, complete with 1930's wallpaper, a pantry that is alphabetically organized by the sister, and a phone that is never answered because they "don't need it". Pullman is priceless as he visits Hurt for dinner, and falls in love with Rose (Amy Wright) for her old-fashioned persona.
Macon's dog is comic relief, but also the liaison with Geena Davis, an offbeat dog-trainer. She is quite good, and insinuates her way into Macon's ordered world. She is a single mother struggling, and Robert Hy Gorman is excellent as her young son, Alexander. Macon finds himself growing attached to Davis, her son, and her wayward life. He helps the son with schoolwork, and realizes he can still be open to new relationships. Even after all the tragedy.
Kathleen Turner attempts reconciliation,and offers Macon a stable ordered life of commonality. Davis offers instability, excitement and unpredictability. Which will he choose? This is not just a romantic drama, it is a serious character study about control, relationships, and difficult choices. It is one of the few films in which the difficulties of marriage are sensitively addressed, and the acting is superb.