Of all the critically friendly 'Oscar Contenders' of 2005, Good Night and Good Luck was the one that stood out the most for me. Not because I have an interest in the plot, or any confidence in the people that made it, even; but merely because it seemed to come out of nowhere, and it's often these films that become the surprise hit of the year. With that in mind, I am disappointed to say that, given the task of describing this film in one word, I would have to select the word 'dull'. Director and star George Clooney has done a great job of ensuring that his film looks and feels as it should; we are given a convincing portrait of the USA during the 1950's, and the film is always lovely to look at. However, it's good points end there; as there is barely any plot to speak of, and the film simply feels like a timeline of events. The plot revolves around the cold war, and Senator Joseph McCarthy. Two journalists; reporter Edward R. Murrow and producer Fred Friendly, decide to take on the senator and expose him for inspiring fear in the American people.
The way that George Clooney uses archive footage instead of an actor cast in the role of the senator is a really inspired move; but the inspiration stops there. We are never allowed into the heads of any of the characters. Their actions show, but we are never given any motivation, and this makes the film very hard to care for on an emotional level. David Strathairn fits the film in that he looks the part; but like the rest of it, he is never given a chance to shine. Robert Downey Jnr and Patricia Clarkson are entirely wasted in a subplot that has little point, while George Clooney fails also to make any kind of impression in the acting department. To be honest, I'm really surprised that this film did go down well with the critics. Good Night and Good Luck is a purely aesthetic experience, and despite the fact that it looks great; surely great films cannot be called such merely because of how they look. I'm sure that George Clooney thought he was making a great film here, but it's missed the mark entirely. If you're really interested in the subject of this film, you might get some kind of enjoyment out of it; but since this film is basically a glorified documentary, you'd probably be better off seeing an actual documentary. Disappointing.
The way that George Clooney uses archive footage instead of an actor cast in the role of the senator is a really inspired move; but the inspiration stops there. We are never allowed into the heads of any of the characters. Their actions show, but we are never given any motivation, and this makes the film very hard to care for on an emotional level. David Strathairn fits the film in that he looks the part; but like the rest of it, he is never given a chance to shine. Robert Downey Jnr and Patricia Clarkson are entirely wasted in a subplot that has little point, while George Clooney fails also to make any kind of impression in the acting department. To be honest, I'm really surprised that this film did go down well with the critics. Good Night and Good Luck is a purely aesthetic experience, and despite the fact that it looks great; surely great films cannot be called such merely because of how they look. I'm sure that George Clooney thought he was making a great film here, but it's missed the mark entirely. If you're really interested in the subject of this film, you might get some kind of enjoyment out of it; but since this film is basically a glorified documentary, you'd probably be better off seeing an actual documentary. Disappointing.