Review of Rushmore

Rushmore (1998)
10/10
Wes Anderson reaches cinematic excellence with Rushmore, a story about Max Fischer a young man who's trying to find his own place in the world
7 January 2006
Wes Anderson's Rushmore is a movie full of everything that modern day cinematic crap movies lack; dry humor, unique writing, music that makes a scene unforgettable, and real heart. I feel as though Rushmore is cinematic excellence, Max Fischer is the perfectly flawed yet absolutely brilliant character who tries to find his place in the world, whether it's by engrossing himself in extracurricular activities or pretending he's the son of a neurosurgeon. All of the characters are finely tuned, Herman Blume is a successful man who feels worthless, Miss Cross is a brilliant woman who feels only sorrow because of the loss of her husband. But it is their flaws that make them so wonderful, they aren't boxed into labeled packages, they are raw and real human beings who are just trying to survive. This movie is about, as Max says, finding out what you love and doing it for the rest of your life.

The camera angles in this film are interesting, connecting you to the environment and the characters. Wes Anderson picks the perfect music for each scene, especially for the heartbreaking scene at the end when Miss Cross and Max are dancing to the Faces "Ooh la la." But, what's most brilliant about Rushmore is how it makes you feel; pessimistic yet hopeful, sad yet joyful, confused yet clear-minded. A good movie makes you think but a great movie changes your perspective on the world and this is what Anderson has done. To quote Cousteau, as Miss Cross did in the Diving for Sunken Treasure book, "When one man, for whatever reason, has the opportunity to lead an extraordinary life he has no right to keep it to himself," and I'm glad that Wes Anderson created such an extraordinary movie and shared it with us all.
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