KOMA (dir. Chi-Leung Law -- 2005) starts off with a classic urban legend of a person waking up in a ice filled bath tub with an organ surgically removed. As the movie progresses, however, the audience is lead into a carefully crafted suspense thriller, reminiscent of Hitchcock and De Palma.
The protagonist is a wealthy woman, Chi Ching (Angelica Lee - The Eye), who is suffering from renal failure, and is waiting for a kidney donation. Unfortunately, Ching has a rare blood type making a match difficult. She eventually befriends a woman, Suen Ling (Kar Yan "Karena" Lam - Heroic Duo), who is jealous of Ching's wealth and love life, and has several dark secrets, none of which I will give away at this time. All this is happening while a serial killer is going around stealing kidneys from woman.
KOMA has one twist after another without falling into the cliché of coincidence. Every twist in the movie occurs because of the choices each character makes rather than due to outside forces, culminating in a great twist ending.
Although shot in a style that is very reminiscent of DePalma, the themes are very "Asian", especially the friendship that builds between Ching and Ling. I don't really understand the "We'll-be- friends/sisters-forever" type themes rampant in Asian films centered around Asian woman. Seems childish to me. Perhaps something is lost in the translation. Perhaps it's because I'm just a guy. Maybe both? The screenwriter is a woman by the way: Susan Chan. She also wrote the script for Jackie Chan's Who Am I?
The other downside of the film is that I don't know why it's called KOMA.
It is, however, refreshing to see a suspense film come out of Asia that doesn't revolve around killer Harajuku girls, or ghosts coming out of a television set. It's fairly impressive for an Asian suspense film.
The films is rated "R" for brief nudity, violence and gore (blood).
Great suspense, story and cinematography, but very poor on dialog.
The protagonist is a wealthy woman, Chi Ching (Angelica Lee - The Eye), who is suffering from renal failure, and is waiting for a kidney donation. Unfortunately, Ching has a rare blood type making a match difficult. She eventually befriends a woman, Suen Ling (Kar Yan "Karena" Lam - Heroic Duo), who is jealous of Ching's wealth and love life, and has several dark secrets, none of which I will give away at this time. All this is happening while a serial killer is going around stealing kidneys from woman.
KOMA has one twist after another without falling into the cliché of coincidence. Every twist in the movie occurs because of the choices each character makes rather than due to outside forces, culminating in a great twist ending.
Although shot in a style that is very reminiscent of DePalma, the themes are very "Asian", especially the friendship that builds between Ching and Ling. I don't really understand the "We'll-be- friends/sisters-forever" type themes rampant in Asian films centered around Asian woman. Seems childish to me. Perhaps something is lost in the translation. Perhaps it's because I'm just a guy. Maybe both? The screenwriter is a woman by the way: Susan Chan. She also wrote the script for Jackie Chan's Who Am I?
The other downside of the film is that I don't know why it's called KOMA.
It is, however, refreshing to see a suspense film come out of Asia that doesn't revolve around killer Harajuku girls, or ghosts coming out of a television set. It's fairly impressive for an Asian suspense film.
The films is rated "R" for brief nudity, violence and gore (blood).
Great suspense, story and cinematography, but very poor on dialog.