Let me just say that this is possibly the finest Canadian film ever produced. And it also foreshadows the scandal that would hit the headlines in the US a decade later.
Although fictionalized, the movie is clearly based on the case of Mount Cashel Orphange in Newfoundland in the 1970s. The investigation into allegations of abuse by the clergy against their young charges was hushed up. And, for fear of scandal, suppressed and brought to light some years later, igniting a media firestorm.
The performances of the cast could not have been better. Henry Czerny, as Brother Peter Lavin, manages to be both repulsive and strangely sympathetic at the same time. His dominating, abusive and perverted control over the institution and the children makes his performance absolutely riveting. The other adult performers are perfectly matched, and the child actors are remarkable. When it airs on American TV, it is always heavily censored, so it is best to see it on Canadian channels, or better yet, on video and DVD. The portrayal of abuse is not overly graphic, but enough is shown so that the viewer can have no doubts as to what is taking place. When the police, headed by Detective Noseworthy (a terrific Brian Dooley) begin to investigate the abuse reports through social services, Lavin really gets nervous, but conceals this behind tremendous arrogance and defensiveness. Slowly, it is revealed that the Superintendent of St. Vincent is not the lone pedophile - many of his fellow priests also harbor a sick desire for these young boys they are supposed to protect. Johnny Morina, Brian Dodd, Ashley Billard, Jonathan Lewis, and Jeremy Keefe are touchingly vulnerable as the kids who are constantly victimized and terrified by these supposed "Men Of God". The second half, picking up fifteen years later, has the abuse coming to public attention and the people involved being rounded up to bring the case to trial. Lavin, who left the order, has married and fathered two children, and denies the allegations when he is arrested. His wife (Lise Roy), as well as the public, is torn, not wanting to believe the Church clergymen could possibly commit such heinous atrocities and cover it up. The victims, now grown men, must face the traumas and begin the process of healing by testifying at trial and confronting the horror. Sebastian Spence, David Hewlett, and Timothy Webber perfectly capture the conflicting anguish of unhealed emotional scarring. And Lavin is advised to undergo psychiatric evaluation (suggested by his attorney), which reveals some sad and surprising experiences that he has had in his relatively loveless and repressed life. The scars of both perpetrator and victim are sensitively handled.
Difficult to watch, heartbreaking, thought-provoking, and very worthwhile viewing. I recommend the book "Unholy Orders: Tragedy At Mount Cashel" by Michael Harris, regarding the actual case.
An important film.
Although fictionalized, the movie is clearly based on the case of Mount Cashel Orphange in Newfoundland in the 1970s. The investigation into allegations of abuse by the clergy against their young charges was hushed up. And, for fear of scandal, suppressed and brought to light some years later, igniting a media firestorm.
The performances of the cast could not have been better. Henry Czerny, as Brother Peter Lavin, manages to be both repulsive and strangely sympathetic at the same time. His dominating, abusive and perverted control over the institution and the children makes his performance absolutely riveting. The other adult performers are perfectly matched, and the child actors are remarkable. When it airs on American TV, it is always heavily censored, so it is best to see it on Canadian channels, or better yet, on video and DVD. The portrayal of abuse is not overly graphic, but enough is shown so that the viewer can have no doubts as to what is taking place. When the police, headed by Detective Noseworthy (a terrific Brian Dooley) begin to investigate the abuse reports through social services, Lavin really gets nervous, but conceals this behind tremendous arrogance and defensiveness. Slowly, it is revealed that the Superintendent of St. Vincent is not the lone pedophile - many of his fellow priests also harbor a sick desire for these young boys they are supposed to protect. Johnny Morina, Brian Dodd, Ashley Billard, Jonathan Lewis, and Jeremy Keefe are touchingly vulnerable as the kids who are constantly victimized and terrified by these supposed "Men Of God". The second half, picking up fifteen years later, has the abuse coming to public attention and the people involved being rounded up to bring the case to trial. Lavin, who left the order, has married and fathered two children, and denies the allegations when he is arrested. His wife (Lise Roy), as well as the public, is torn, not wanting to believe the Church clergymen could possibly commit such heinous atrocities and cover it up. The victims, now grown men, must face the traumas and begin the process of healing by testifying at trial and confronting the horror. Sebastian Spence, David Hewlett, and Timothy Webber perfectly capture the conflicting anguish of unhealed emotional scarring. And Lavin is advised to undergo psychiatric evaluation (suggested by his attorney), which reveals some sad and surprising experiences that he has had in his relatively loveless and repressed life. The scars of both perpetrator and victim are sensitively handled.
Difficult to watch, heartbreaking, thought-provoking, and very worthwhile viewing. I recommend the book "Unholy Orders: Tragedy At Mount Cashel" by Michael Harris, regarding the actual case.
An important film.