7/10
Come On and Hear, Come On and Hear My Review
4 June 2005
Warning: Spoilers
Roger Grant, a classically trained violinist, is leading a small band in turn of the century San Francisco with little success. One fateful night, Stella Kirby, brings sheet music of Irving Berlin's new song, Alexander's Ragtime Band. Stella sings while Roger plays the song, and all three are a hit, despite the friction between Roger (who now is the Alexander from the song) and Stella. Obviously there is hints of romance between the two, but fellow band member Charlie Dwyer completes the love triangle, and is the one who captures Stella's hand in marriage. Roger/Alexander and his band tour the country and entertain the troops overseas in World War I, and returns to the US a sensation, while the marriage between Stella and Charlie falls apart because the two realize they are not the ones meant for each other. Stella tries to rekindle the romance with Roger, but singer Jerry Allen has fallen for the band leader, despite being somewhat indifferent towards her. Roger, Charlie, and the rest of the band perform a concert reuniting everyone, while Stella feels on the outside thinking she has no part in Roger's life. The film's story line is predictable, full of holes, and mushy and the performances are enjoyable at best, but the film carries such an energy thanks to Berlin's music, as well as the singing from both Faye and Merman (who does stand out in this early role). The musical numbers are quite different from the ones preceding it, which does keep the movie fresh. Rating, 7.
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