It's pretty hard to criticise a labour of love, and Milwaukee, Minnesota is no exception. The background to this film reveals the kind of indie aesthetic that infatuates people; there's no major money motive, a lot of hard work from a small cast, and on overall desire to create something stimulating. Indeed the attention to detail is a joy to watch; from meticulously planned shots (the director's commentary reveals stories of balancing cameras on piles of snow, filming reflections to look like insects and throwing talcum powder on actors) to cinematography changing as we enter the world of the protagonist about a quarter of the way in. As far as the story goes; it's a sensitive and honest portrayal of a sensitive and honest story. It's magical but believable, funny but dark and reminds you as any good indie should, that life is actually quite beautiful, tainted at the edges sure, dangerous sure, but ultimately there's things around you every day that are good enough without bombs, explosions and $100Million dollars in unmarked bills at stake.
Review of Milwaukee, Minnesota
