I saw "The Puffy Chair" at South by Southwest, and it is an excellent film. It is genuine, thoughtful, and alternately hilarious and melancholy. It deserves to be the new "Garden State."
The movie's premise is simple: Josh and his girlfriend Emily go on a road-trip to pick up an old puffy recliner that Josh won on ebay and bring it to his dad for his birthday. Along the way, they stop to visit brother, a well-meaning but slightly insane lover of all things - especially nature and women - who ends up tagging along. One of the funniest scenes in the movie occurs when the three attempt to stay at a motel in Virginia but only pay for one person to save ten bucks; the ridiculous scheming (which of course backfires) to save a few bucks is on par with any of George Costanza's finest moments. The exchanges between brothers remind me of my banter with my own siblings, and the relationship that Josh and Emily have feels both unique and universal. The direction and and hand-held camera work give the film a documentary feel that really works well, and the music blends well with what is going on. The director and screenwriter used their low budget to great advantage, keeping things totally authentic; eliminating the documentary-style camera and getting rid of the improvisation would have ruined the mood of the movie.
Overall, the film moves seamlessly from comedy to melancholy and from jubilant romantic beginnings to bittersweet possible endings. If you get a chance to see this flick, give it a try: it's short and sweet, but it will stay with you for a while.
The movie's premise is simple: Josh and his girlfriend Emily go on a road-trip to pick up an old puffy recliner that Josh won on ebay and bring it to his dad for his birthday. Along the way, they stop to visit brother, a well-meaning but slightly insane lover of all things - especially nature and women - who ends up tagging along. One of the funniest scenes in the movie occurs when the three attempt to stay at a motel in Virginia but only pay for one person to save ten bucks; the ridiculous scheming (which of course backfires) to save a few bucks is on par with any of George Costanza's finest moments. The exchanges between brothers remind me of my banter with my own siblings, and the relationship that Josh and Emily have feels both unique and universal. The direction and and hand-held camera work give the film a documentary feel that really works well, and the music blends well with what is going on. The director and screenwriter used their low budget to great advantage, keeping things totally authentic; eliminating the documentary-style camera and getting rid of the improvisation would have ruined the mood of the movie.
Overall, the film moves seamlessly from comedy to melancholy and from jubilant romantic beginnings to bittersweet possible endings. If you get a chance to see this flick, give it a try: it's short and sweet, but it will stay with you for a while.