"Hold That Ghost" was Abbott and Costello's fourth feature film, and the third in which they were headline billed. Also going three for three with the comedy duo were The Andrews Sisters and Shemp Howard, who previously appeared with the boys in "Buck Privates" and "In the Navy". The film style differs somewhat from the military based films in that Abbott and Costello stay away from the skit routines and go more for the sight gags and one liners.
In the story, Chuck Murray (Bud) and Ferdie Jones (Lou) inherit an abandoned inn from mobster Moose Matson; as stated in the will, they were with Moose at the time of his demise. Of course, Moose's cronies have an interest in the place because the money from his robberies are believed to be hidden there. Moose's assurance that the location of the money is 'in his head' proves to be truer than we realize when first uttered. All of this serves as the basic premise for Bud and Lou to deliver their zany antics in what turns out to be a haunted house, replete with a dead body, levitating candles and observing ghosts.
Adding to the fun of the film is Joan Davis, a wonderful foil for Lou's character who has just the right blend of good looks and snappy attitude. Richard Carlson is the nerdy Doctor Jackson who misses all the romantic signals thrown his way by pretty Norma Lind (Evelyn Ankers).
The opening of "Hold That Ghost" left me considering whether today's concern with political correctness would have allowed the scene to be made today. Crooner Ted Lewis offers a rendition of 'Me and My Shadow' with a black actor (uncredited Ralph Brooks) mimicking his movement, ostensibly as his 'shadow'. As always, The Andrews Sisters are delightfully entertaining, though not as animated as in the Service films.
After 1941's "Hold That Ghost", Abbott and Costello didn't venture into another horror type film until 1948's "Abbott and Costello Meet Frankenstein", possibly their best comedy and my personal favorite by the boys. But then they really got into high gear with the genre with a host of offerings in which they paired with a number of Universal's characters - the Invisible Man, Jekyll and Hyde, and The Mummy. All are a treat and come recommended for Abbott and Costello fans.
In the story, Chuck Murray (Bud) and Ferdie Jones (Lou) inherit an abandoned inn from mobster Moose Matson; as stated in the will, they were with Moose at the time of his demise. Of course, Moose's cronies have an interest in the place because the money from his robberies are believed to be hidden there. Moose's assurance that the location of the money is 'in his head' proves to be truer than we realize when first uttered. All of this serves as the basic premise for Bud and Lou to deliver their zany antics in what turns out to be a haunted house, replete with a dead body, levitating candles and observing ghosts.
Adding to the fun of the film is Joan Davis, a wonderful foil for Lou's character who has just the right blend of good looks and snappy attitude. Richard Carlson is the nerdy Doctor Jackson who misses all the romantic signals thrown his way by pretty Norma Lind (Evelyn Ankers).
The opening of "Hold That Ghost" left me considering whether today's concern with political correctness would have allowed the scene to be made today. Crooner Ted Lewis offers a rendition of 'Me and My Shadow' with a black actor (uncredited Ralph Brooks) mimicking his movement, ostensibly as his 'shadow'. As always, The Andrews Sisters are delightfully entertaining, though not as animated as in the Service films.
After 1941's "Hold That Ghost", Abbott and Costello didn't venture into another horror type film until 1948's "Abbott and Costello Meet Frankenstein", possibly their best comedy and my personal favorite by the boys. But then they really got into high gear with the genre with a host of offerings in which they paired with a number of Universal's characters - the Invisible Man, Jekyll and Hyde, and The Mummy. All are a treat and come recommended for Abbott and Costello fans.