Most effective entry in Fassbinder's Wirtschaftswunder Trilogy
2 October 2004
First and best of Fassbinder's Post-WWII "Wirtschaftswunder" films. His lead character, a young woman, determined to emerge out of Germany's WWII ruins as a success, literally "walks over corpses" to get what she wants. Marrying a man doomed to be among the last to "fall" for the Fuehrer and the German Reich, Maria is now "Frau" instead of "Fraulein". Initially searching for her MIA husband, she eventually gives it up and moves on. Climbing the ladder, Maria Braun has her share of good times. Showering her impoverished family with lavish presents and lifting everyone's life-style up by a notch, Maria becomes the celebrated "Wunderkind" who gets whatever she wants. Although her uppity attitude isn't always popular, and there is plenty of talk about Maria (and her "ways"), Maria Braun laughs it all away. The Marlene Dietrich-like heroine always has the last laugh, as the shocking ending proves.

This is a Modern Classic, one of the very best films to come out of the 1970s/80s German Cinema. Much stronger than "Veronica Foss" and in the league of "Das Boot", "The Marriage of Maria Braun" is a product of Modern German Dramatic Cinema's golden age. No sugar coating, just pure, unadulterated truth as seen through the rear-view mirror of people who have lived the horrors and survived into new tomorrows. A true gem of a film!
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