The end credits for "Rugrats Go Wild!" include a section headed "Klasky Csupo Accounting," which unfortunately figures; this third theatrical outing for the Rugrats and second one for the Wild Thornberrys plays more like a marketing exercise than an actual movie.
With this big-screen crossover of two TV shows, you'd think that they'd both get equal time, but due to their show having been more successful and having their full name in the title (it was originally called "Rugrats Meet The Wild Thornberrys" before someone decided that was too obvious), Tommy, Chucky and the rest get more time on screen than the far more appealing Eliza Thornberry and Co; it's not until near the end that they're on anything like equal footing, and by then the movie's been sabotaged by a plot that's too skimpy for words (the Pickles, Finster and DeVille families - plus Susie - get stranded on the same island that the Thornberrys have pitched up on for their latest jaunt, and cue much running around and shrieking), an ounce of actual amusement amongst a ton of shrill and strained gags, too many characters squeezed into too little time, and far too many songs, pop or otherwise (Chrissie Hynde. Why?).
Having Bruce Willis do the voice of Spike doesn't help much, and neither does including some of the most heavy-handed movie references this side of a Leslie Nielsen comedy. In fact, the movie officially becomes a waste of time when their boat capsizes and it turns into a mini-homage to "The Poseidon Adventure," capped by Angelica singing "The Morning After" in her toy karaoke machine. (If only she had been the character played by Stella Stevens.)
But even that's more forgiveable than having Stu say "I can't help feeling partially responsible." Stealing lines from "The Simpsons" is the final insult... Eliza's older sister and Betty DeVille are the only ones to emerge intact. Note to Paramount: ENOUGH ALREADY!
With this big-screen crossover of two TV shows, you'd think that they'd both get equal time, but due to their show having been more successful and having their full name in the title (it was originally called "Rugrats Meet The Wild Thornberrys" before someone decided that was too obvious), Tommy, Chucky and the rest get more time on screen than the far more appealing Eliza Thornberry and Co; it's not until near the end that they're on anything like equal footing, and by then the movie's been sabotaged by a plot that's too skimpy for words (the Pickles, Finster and DeVille families - plus Susie - get stranded on the same island that the Thornberrys have pitched up on for their latest jaunt, and cue much running around and shrieking), an ounce of actual amusement amongst a ton of shrill and strained gags, too many characters squeezed into too little time, and far too many songs, pop or otherwise (Chrissie Hynde. Why?).
Having Bruce Willis do the voice of Spike doesn't help much, and neither does including some of the most heavy-handed movie references this side of a Leslie Nielsen comedy. In fact, the movie officially becomes a waste of time when their boat capsizes and it turns into a mini-homage to "The Poseidon Adventure," capped by Angelica singing "The Morning After" in her toy karaoke machine. (If only she had been the character played by Stella Stevens.)
But even that's more forgiveable than having Stu say "I can't help feeling partially responsible." Stealing lines from "The Simpsons" is the final insult... Eliza's older sister and Betty DeVille are the only ones to emerge intact. Note to Paramount: ENOUGH ALREADY!