Review of Saraband

Saraband (2003)
10/10
The last film masterpiece? Quietness which speaks.
9 January 2004
I am by no mean qualified to give a full range analysis of the film Saraband by Ingmar Bergman, but would like to give my personal comments.

This may be the last great film as an art genre, as opposed to film as entertainment. In the early days of film directors where trying to please a reading audience. No living director has protected this heritage better than Bergman. He can still compete with the best authors of his time.

The quietness which surrounds this film, the excellent actor performances, the long footages of close-ups of faces, the first cello sonato of Bach (Saraband), the old man who is a bit like Bergman himself; all this makes the film a masterpiece. The dialogs hold great literary quality. Bergman and his film crew are able to show people who are inactive on the outside, but active on the inside; it is quietness which speaks! There is no time for trivial dialog in the films of Bergman: Here you will find people who talk out about the great tragedies in life. The composition gives you a feeling of being in a theatre.

Bergman is a living challenge to anyone who wants to take film seriously as an art form!
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