Review of Rain

Rain (III) (2001)
4/10
Cotton Mather would've loved it (spoilers)
30 June 2002
Warning: Spoilers
The acting (particularly by Alicia Fulford-Wierzbicki) and cinematography of this movie are so well put-together that it makes the movie's horrible cliche of an ending that much more painful and embarrassing.

(Here come the spoilers)

Jim's death at the end of the movie is a cheap gimmick that director Christine Jeffs telegraphs from square one. It's a lame, moralizing made-for-TV-movie plot device that attempts to somehow punish the film's characters for their perceived moral transgressions (Janey and Jim's parents' drinking and Janey's experimentation with sex). By killing off Jim immediately after (or during, it's not clear) his sister's first experimentation with sex, the cast and crew of "Rain" come across as a bunch of holier-than-thou moralists. "This is what happens when innocent young children are left unsupervised so the adults can go off and drink and have sex," we can almost hear Jeffs saying while she wags her finger at her audience.

It's not clear if Jim's death is something taken from Kirsty Gunn's novel or if it's introduced in Jeffs' adaptation. Whatever the case, Jeffs ought to have had the sense not to kill off Jim right after Janey's encounter with Cady. The final quarter or so of the movie should be about Janey coming to grips with her encounter with Cady. Instead, Jeffs rips the focus away from an uncomfortable subject by drowning Jim, after which she tries to tidy up the movie with a quick funeral and another cliche, the "driving home in a car after a tragic event" scene. "And after that summer, I was never the same," we can almost hear Fulford-Wierzbicki saying during the film's final voiceover.

It's almost as if Jeffs is afraid to let Fulford-Wierzbicki act out her character's reaction to her sexual awakening, or to show her parents acting out their split on screen. It's an awful way to end a movie, and I can't recommend this movie to anyone but moralizing, condescending types who like nothing more than to see characters suffer for sins that are actually little more than character flaws.
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