Argentina, 1965. A heist goes wrong. Three men are on the run looking for a place to hide. They find it in Montevideo, they need false passports to leave so they wait day after day until the police come and everything goes apocalyptic.
The bare facts.
But the real movie is about the two killers in the gang, El Nene and Angel, called Los Mellizos (the twins). They are not related. They are lovers: two fugitives sharing loneliness and pain, living their lives on the edge. It's the story of a doomed relationship, confined into four rooms where intense passion and violence push the extremes.
In their hostile world of drugs, cheap sex, prejudice and revenge they have to deal with a feeling born from repression and the fear of naming it. There is, above all, their desperate search for love and loyalty that makes them some kind of tragic heroes in the end.
Seldom has cinema faced the subject of masculine desire and affection in such a natural, honest and even tender way. For sure a different sight of an action movie and a remarkable piece of acting.
Worth seeing.
The bare facts.
But the real movie is about the two killers in the gang, El Nene and Angel, called Los Mellizos (the twins). They are not related. They are lovers: two fugitives sharing loneliness and pain, living their lives on the edge. It's the story of a doomed relationship, confined into four rooms where intense passion and violence push the extremes.
In their hostile world of drugs, cheap sex, prejudice and revenge they have to deal with a feeling born from repression and the fear of naming it. There is, above all, their desperate search for love and loyalty that makes them some kind of tragic heroes in the end.
Seldom has cinema faced the subject of masculine desire and affection in such a natural, honest and even tender way. For sure a different sight of an action movie and a remarkable piece of acting.
Worth seeing.