One has to wonder if Eric Roberts is appearing in dreck like this just to pay the rent -something anyone can be forgiven for- or whether he consciously chooses these vehicles. If it's the latter, he needs to let someone else make these decisions and stop his once-promising career from spiraling ever more downward. The plot is so preposterous as to turn this film into near-parody. Fortunately, the warning signs are manifest early on, and most viewers will mercifully change the channel before wasting much time on this. It's a truism that it's as much work to make a bad movie as a good movie, and there's not much that Hollywood turns out that doesn't have decent technical standards. But none of the crew's efforts can transcend a stinker of a story.
Review of Restraining Order
