The "plot" of this movie has more holes in it than a brillo pad. FBI agents in cars can't keep up with Michael Madsen loping down a country road -- the same road that all the pointless chase scenes were filmed on.
Can you imagine a bank robber burying his loot in anticipation of incarceration then escape? How about if he buries his favorite jacket with it? Did Madsen have costume approval or something?
This is a great movie if you love coincidences. From the very conventional turning on the TV to find the announcer saying, "The latest Sweetwater killer victim..." to the imaginative: having the first four victims of the killer be women wearing uniforms. The sudden unslaught of a hurricane at the climactic scene, the sudden appearance of a laser scope on Madsen's gun, the mob boss who apparently doesn't miss his girlfriend when she's off with Madsen for a week... the mind boggles.
The part I found the most unbelievable was his ex-wife's new husband warmly welcoming the escaped bank robber into his home.
On the plus side... let me think... oh yeah. The plot was better than the acting, or editing.
Can you imagine a bank robber burying his loot in anticipation of incarceration then escape? How about if he buries his favorite jacket with it? Did Madsen have costume approval or something?
This is a great movie if you love coincidences. From the very conventional turning on the TV to find the announcer saying, "The latest Sweetwater killer victim..." to the imaginative: having the first four victims of the killer be women wearing uniforms. The sudden unslaught of a hurricane at the climactic scene, the sudden appearance of a laser scope on Madsen's gun, the mob boss who apparently doesn't miss his girlfriend when she's off with Madsen for a week... the mind boggles.
The part I found the most unbelievable was his ex-wife's new husband warmly welcoming the escaped bank robber into his home.
On the plus side... let me think... oh yeah. The plot was better than the acting, or editing.