Yet another Tarantino-inspired (no point in trying to deny it) crime thriller that thinks it's a lot more clever, hip and cool than it actually is. The mix of ridiculously forced dialogue ("I had my first orgasm while staring a dead cow in the eye" or "Projecting your fear on me will not help matters") and strained Southern accents is enough to make anyone turn off the movie early on. But if you do stick with it, you will be rewarded with a decently twisted plot and some good performances (nice to see Hal Holbrook still working and in perfect form). (**)
Review of Judas Kiss
