The story is revealed through the eyes of a journalist, investigating some unexplained mysteries surrounding Brian Slade, and his androgynous alter-ego Maxwell Demon, a David Bowie-esque performer on the English glam-rock scene of the early 70s. Our intrepid reporter revisits some demons from his own youth as a groupie on this scene, of his family's inability to understand him and his uncertainty about his own sexuality. Toni Collette acquits herself very well, within the limitations of her script as the decadent rock star's American wife, stoically enduring her husband's peccadilloes until the very end. The real star of this movie is the music. Some of the finest work of this period by Lou Reed, Roxy Music, Marc Bolan, Steve Harley, Brian Eno and others is reworked or featured in it's original form. They say if you can remember the 60s then you weren't there, but if you can remember the early 70s you will enjoy this movie.
Review of Velvet Goldmine
