7/10
Flawed, but still touching
25 February 2001
(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon.)

"You're going to grow up and I'm not."

This is what Ricky Schroth (Kevin Bacon) says to Harriet Frankovitz (Evan Rachel Wood) near the end of the film, expressing both the promise of her life, and the tragedy of his. It is precisely because of the potential of this sharp spoken, sharp witted, beautiful little girl with a mind of her own that we are mesmerized by her, as we are by our own children, and why we are so deeply saddened by the young man who is not a man and never will be.

This is a film that discovers itself after a clumsy start and develops until at the end we see the beauty and the tragedy of its story as an affirmation of life. Kevin Bacon starts awkwardly and has to work hard to conquer a demanding role. But so does Wood, who in the beginning at times seemed unsure of who she is and how she should feel and react. But both actors grow into their characters and become stronger and stronger as the film progresses. However, I think Director Timothy Hutton (Best Supporting Actor for Ordinary People in 1980) might have profited by re-shooting some of the earlier scenes.

It is interesting to compare Bacon's performance with that of other actors who have attempted to play mentally retarded or mentally challenged characters--I'm thinking here of Dustin Hoffman in The Rain Man (1988) and Billy Bob Thornton in Sling Blade (1996). Dustin Hoffman was of course something close to brilliant in his Academy Award winning role. He had a charming script, and because he played alongside Tom Cruise he benefited from not having to carry the picture by himself. This was not the case for Billy Bob Thornton in Sling Blade, where too much was attempted without enough help so that Thornton ended up too much in front of the camera, and that was not always to his benefit. Here Bacon is wonderfully supported not only by Miss Wood, but by Mary Stuart Masterson who plays Harriet's "sister" Gwen. Some people have criticized Masterson's performance, but I think they are reacting to her non-sympathetic character, a woman, who, as Harriet says, "should have been a nurse. She's always making some guy feel better."

I think Masterson was very subtle in a unrefined role, and touching as a woman who had a lot to learn. Also excellent and completely believable in a limited role was Marian Seldes as Ricky's mother.

I was surprised that such an original and deeply lived script was not adapted from a novel. No writer could have just dreamed up this story. It had to have been lived in some sense. (Part of it was dreamed up of course.) So I guess, Karen Janszen, who wrote the script must have lived it. At any rate, she is to be commended for such an original conception. The setting in North Carolina at a rural motel ("Mom won it in a divorce"), and the three who ran "Mac's Indian Cabins" was perfect for the tale. Her celebration of the spirit of a ten-year-old who thinks she can dig to China was precious and warm. Some of the lines were so perfect. I am thinking of Harriet's voice over after it is revealed that she and Ricky "got married" (baptized is more like it!). The ten-year-old says, "Gwen was mostly upset cause I got married before her."
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