A childless couple adopt a baby, but the father becomes curious about the real birth mother and decides to trace her.
Good to see Allen returning to something like his best, probably because he is returning to his natural home: The light comedy of domestic life and the embarrassing people that we have to deal with.
The star turn is Mira Sorvino (the natural mother) as the tart with a heart (an update of the happy hooker?) who Allen gets to know by pretending to be a client. Great plot device, which shows what Allen can do when he casts his mind wider than people chatting around restaurant tables or at parties.
Interesting to see how Allen has developed as regards sexual frankness and the use of four letter words. Strangely he is returning to the device of being sexually inept (something he had been moving away from) to gain extra laughs.
For once he gives the best lines to someone else - and in Sorvino we have a great comedienne: A really touching and funny performance. Another Oscar that an actor/actress would never have otherwise got without the magic pen of Woody - no wonder the guy is so loved in the business!
Away from the main comedy the thing bumbles along. Wife Helena Boham-Carter is not faithful and they argue a lot. The usual hypocrisies, double standards and manners are displayed (for a WA film), but they don't stop the film as they do elsewhere. The Greek chorus asides - are actually fantastically funny and a real piece of comic invention.
Thankfully we have a something to do and somewhere to go here, it isn't just people whining about their lives. Allen wants to improve the life of the hooker-come-porn-star and suggests hairdressing and teaming up with a half-wit boxer (who he met through his job as a sports writer) he thinks she will like.
A very entertaining film and it is good to see that Allen can write funny lines for women - which I thought he was incapable of. Recommended.
Good to see Allen returning to something like his best, probably because he is returning to his natural home: The light comedy of domestic life and the embarrassing people that we have to deal with.
The star turn is Mira Sorvino (the natural mother) as the tart with a heart (an update of the happy hooker?) who Allen gets to know by pretending to be a client. Great plot device, which shows what Allen can do when he casts his mind wider than people chatting around restaurant tables or at parties.
Interesting to see how Allen has developed as regards sexual frankness and the use of four letter words. Strangely he is returning to the device of being sexually inept (something he had been moving away from) to gain extra laughs.
For once he gives the best lines to someone else - and in Sorvino we have a great comedienne: A really touching and funny performance. Another Oscar that an actor/actress would never have otherwise got without the magic pen of Woody - no wonder the guy is so loved in the business!
Away from the main comedy the thing bumbles along. Wife Helena Boham-Carter is not faithful and they argue a lot. The usual hypocrisies, double standards and manners are displayed (for a WA film), but they don't stop the film as they do elsewhere. The Greek chorus asides - are actually fantastically funny and a real piece of comic invention.
Thankfully we have a something to do and somewhere to go here, it isn't just people whining about their lives. Allen wants to improve the life of the hooker-come-porn-star and suggests hairdressing and teaming up with a half-wit boxer (who he met through his job as a sports writer) he thinks she will like.
A very entertaining film and it is good to see that Allen can write funny lines for women - which I thought he was incapable of. Recommended.