Although it has received mixed reviews by critics, this follow-up to "Der Himmel über Berlin" (1987) is a deeply moving and beautiful film. Wenders explores the polarities which exist in a newly unified Berlin and in so doing examines some of the polarities which exist in life itself. As "Cassiel," Otto Sander has given us another endearing Wenders protagonist who learns all too quickly about what life (and time) can present upon an individual. Laurent Petitgand's stunning musical score enhances the sublime images photographed by Jürgen Jürges. Although "Der Himmel über Berlin" (1987), is an almost mandatory pre-requisite, "In weiter Ferne, so nah!" (1993) is a vastly different film which proves itself in its own right.
Cinema has produced many wonderful films over the past century or so, but when looking at the various elements of film combined here, there is no other movie which touches me quite so positively, quite as deeply as this one.
Cinema has produced many wonderful films over the past century or so, but when looking at the various elements of film combined here, there is no other movie which touches me quite so positively, quite as deeply as this one.