Peter Hyams' remake of Richard Fleisher's 1952 The Narrow Margin focuses more on atmosphere and scenery than it does film noir. It does make for a cool, if a bit too short, movie.
Gene Hackman is the loudmouth Deputy DA desperate to get a big daddy mob boss behind bars. And when a shy book editor witnesses a mob assassination he treks out to Middleofnowhere, Canada to drag her into court to testify. Problem's arise when the bad guys show up in the wilderness and blow the crap out of her cabin.
A brilliant, rustic car/chopper chase down the sheer slopes of a mountain forest follows. It's a great scene with some cool shots and sharp editing. Once they reach the bottom of the mountain they find a train station and board the train for a private cabin. The bad guys follow, only they still don't know what their witness looks like.
Many scenes of hiding and seeking make up the rest of the movie. It doesn't sound like much but Peter Hyams' widescreen photography is used to the max to promote a sense of claustrophobia and even the quieter scenes are dominated by the sound of the train charging through the dark Canadian wilderness. One particular scene at Monashee Station really does take advantage of the 'middle of nowhere' feeling.
Bruce Broughton's score is kind of okay, but nothing as loud and exciting as the score he originally created. Peter Hyams disagreed (as he often does with his composers) and chopped up Broughton's work in post-production. Thus, the music in the movie is more of an underscore with much of the more action-based cues missing.
I wish it did last longer and with more scenes on the train (coz trains are cool) but, for what it is, Narrow Margin is a slightly wrought thriller with Gene Hackman on top form as always and having fun playing the older guy in the suit who can still get into fights and car chases as if it were his everyday job.
Gene Hackman is the loudmouth Deputy DA desperate to get a big daddy mob boss behind bars. And when a shy book editor witnesses a mob assassination he treks out to Middleofnowhere, Canada to drag her into court to testify. Problem's arise when the bad guys show up in the wilderness and blow the crap out of her cabin.
A brilliant, rustic car/chopper chase down the sheer slopes of a mountain forest follows. It's a great scene with some cool shots and sharp editing. Once they reach the bottom of the mountain they find a train station and board the train for a private cabin. The bad guys follow, only they still don't know what their witness looks like.
Many scenes of hiding and seeking make up the rest of the movie. It doesn't sound like much but Peter Hyams' widescreen photography is used to the max to promote a sense of claustrophobia and even the quieter scenes are dominated by the sound of the train charging through the dark Canadian wilderness. One particular scene at Monashee Station really does take advantage of the 'middle of nowhere' feeling.
Bruce Broughton's score is kind of okay, but nothing as loud and exciting as the score he originally created. Peter Hyams disagreed (as he often does with his composers) and chopped up Broughton's work in post-production. Thus, the music in the movie is more of an underscore with much of the more action-based cues missing.
I wish it did last longer and with more scenes on the train (coz trains are cool) but, for what it is, Narrow Margin is a slightly wrought thriller with Gene Hackman on top form as always and having fun playing the older guy in the suit who can still get into fights and car chases as if it were his everyday job.