When John Sayles makes a film, it's usually because he has a very good reason. A man who's made his life in film averting the Hollywood approach, Sayles stories are densely layered character dramas, unencumbered with camera tricks, special effects, or deception.
The idea that Lianna (Linda Griffiths) needs a change of life in and of itself is not surprising. As a young college student, she had succumbed to the advances of one of her professors, then quit school to marry him. Now, twelve years and two children later she finds her life mundane, and loveless. She needs a change.
A John Sayles film is a personal experience. He leads us down a road deluged with emotion, conflict and only some spattering of resolve. The rest he leaves for us. Sometimes we have to fill in the blanks to even the most difficult questions posed. And there's nothing wrong with that.
The idea that Lianna (Linda Griffiths) needs a change of life in and of itself is not surprising. As a young college student, she had succumbed to the advances of one of her professors, then quit school to marry him. Now, twelve years and two children later she finds her life mundane, and loveless. She needs a change.
A John Sayles film is a personal experience. He leads us down a road deluged with emotion, conflict and only some spattering of resolve. The rest he leaves for us. Sometimes we have to fill in the blanks to even the most difficult questions posed. And there's nothing wrong with that.