There are some nice elements here. Molly Ringwald (at 14, her first film), Susan Sarandon and Gena Rowlands all charm. The Greek scenery is nice but not particularly well exploited. Raul Julia and Sarandon steal every scene they are in, master actors.
But the writing is dreary, wandering all over the place. I'm very patient with meditative movies, but this just meanders. The Tempest connection is so very slight. All the elements, the main magic, that gives the play its power are ignored here and what we have instead is a tired midlife crisis plot, plus a petulant pubescence.
If you want a magical Greek coming of age tale built around a fragile love affair, read `The Magus.'
If you want an intelligent, magical adaptation of The Tempest that has intellectual and visual power, see `Prospero's Books.' Pass this one up unless you just want to experience these women in some comfortable performances.
But the writing is dreary, wandering all over the place. I'm very patient with meditative movies, but this just meanders. The Tempest connection is so very slight. All the elements, the main magic, that gives the play its power are ignored here and what we have instead is a tired midlife crisis plot, plus a petulant pubescence.
If you want a magical Greek coming of age tale built around a fragile love affair, read `The Magus.'
If you want an intelligent, magical adaptation of The Tempest that has intellectual and visual power, see `Prospero's Books.' Pass this one up unless you just want to experience these women in some comfortable performances.