First the flaws: the extraneous characters of the various competitors are pretty blatant stereotypes, not offensive, but not particularly compelling either. The time spent on them would have been better spent on further development of the relationship between Paul (Richard Dreyfuss) and Heidi (Amy Irving) two pianists facing off in the same competition who fall in love while preparing for it. Secondly, the "contemporary" music...it was released in 1980, but all you hear in bars and at parties is disco music. It makes everything seem a little too quaint and cute to be real.
Moments of greatness: The clashes and arguments that ensue between Paul and Heidi make it obvious why they fall in love, but it happens very quickly. Which is fine in a standard romance, but that isn't what this movie is. These two people are complex individuals with various insecurities and desires that make the love story so great, so interesting and so real. But the ending feels strange...a lot happens before the film's resolution, and leaves me feeling that the characters haven't been explored enough. The movie's shining moment is during the second half of the competition, when Paul has already played and Heidi proceeds to blow him out of the water. Irving's performance onstage is totally convincing, and Dreyfuss conveys an incredible amount of emotion and intelligence simply in his reactions to the piece.
The tension here is incredible, and very, very real. A good movie--one that dares to show its characters in an unglamorous, real way few movies have
Moments of greatness: The clashes and arguments that ensue between Paul and Heidi make it obvious why they fall in love, but it happens very quickly. Which is fine in a standard romance, but that isn't what this movie is. These two people are complex individuals with various insecurities and desires that make the love story so great, so interesting and so real. But the ending feels strange...a lot happens before the film's resolution, and leaves me feeling that the characters haven't been explored enough. The movie's shining moment is during the second half of the competition, when Paul has already played and Heidi proceeds to blow him out of the water. Irving's performance onstage is totally convincing, and Dreyfuss conveys an incredible amount of emotion and intelligence simply in his reactions to the piece.
The tension here is incredible, and very, very real. A good movie--one that dares to show its characters in an unglamorous, real way few movies have