I admit it -- I like "The Misadventures of Sheriff Lobo." And I don't consider myself a fan of lowbrow TV. I hate stuff like "The Dukes of Hazzard" and "Baywatch," and I don't watch wrestling. "Lobo" was the show critics loved to hate when it was on the air. And since then, the word "Lobo" itself has become synonymous with bad TV.
But it's not a bad show. First, the cast had a genuine chemistry. Claude Akins and Mills Watson had a terrific rapport. If they had been on any other show, critics would have praised them as a terrific comic team. They really clicked. (On any other show, Watson would have become a superstar.) The rest of the cast was solid, and the show had good guest stars, including Pat Paulsen, Sid Caesar, and Larry Storch.
And while it wasn't Shakespeare, the writing was much better than the critics would have you believe. Unlike "The Dukes of Hazzard," the show did have different story lines. It wasn't the same show every week, like the Dukes. (And it didn't have anywhere near as many chases as the Dukes.)
I believe that the "Dukes" connection is the main reason critics hated the show. "Lobo" came along at the same time as the Dukes, it was also set in the South, it also had car chases, and it also had scantily-clad women. It was easy to dismiss "Lobo" as a Dukes clone because of some similarities on the surface.
But look closer, and you'll see the two shows were very different. "Lobo" had better scripts, better performances, better production values, etc.
Please don't misunderstand me. I'm not saying "Lobo" is a great show; I'm not suggesting it didn't have problems. There were too many car crashes. The show's writing could have been sharper. It should have made more of an attempt to SATIRIZE police shows. And the move to Atlanta in the second season was a mistake. It was much better in Orly County.
But it's not junk, as some critics would have you believe. It's better than most of the stuff on TV today. And I'll say it again: Akins and Watson were a terrific team.
And the first season theme song -- sung by Frankie Laine -- was fantastic. I'd love to hear it on a TV theme song CD.
But it's not a bad show. First, the cast had a genuine chemistry. Claude Akins and Mills Watson had a terrific rapport. If they had been on any other show, critics would have praised them as a terrific comic team. They really clicked. (On any other show, Watson would have become a superstar.) The rest of the cast was solid, and the show had good guest stars, including Pat Paulsen, Sid Caesar, and Larry Storch.
And while it wasn't Shakespeare, the writing was much better than the critics would have you believe. Unlike "The Dukes of Hazzard," the show did have different story lines. It wasn't the same show every week, like the Dukes. (And it didn't have anywhere near as many chases as the Dukes.)
I believe that the "Dukes" connection is the main reason critics hated the show. "Lobo" came along at the same time as the Dukes, it was also set in the South, it also had car chases, and it also had scantily-clad women. It was easy to dismiss "Lobo" as a Dukes clone because of some similarities on the surface.
But look closer, and you'll see the two shows were very different. "Lobo" had better scripts, better performances, better production values, etc.
Please don't misunderstand me. I'm not saying "Lobo" is a great show; I'm not suggesting it didn't have problems. There were too many car crashes. The show's writing could have been sharper. It should have made more of an attempt to SATIRIZE police shows. And the move to Atlanta in the second season was a mistake. It was much better in Orly County.
But it's not junk, as some critics would have you believe. It's better than most of the stuff on TV today. And I'll say it again: Akins and Watson were a terrific team.
And the first season theme song -- sung by Frankie Laine -- was fantastic. I'd love to hear it on a TV theme song CD.