Throughout the 70's, we saw the rise and fall of the b-movie subgenre known as the redneck film. With the likes of Smokey and the Bandit, Gator Bait, and Walking Tall all packing in the theaters, Six-Pack Annie stands on its own as perhaps the Marx Brothers equivalent of the redneck film. No, its not as funny or witty as a Marx Bros film, but it is jam packed with mile a minute jokes. Okay, so 99% of the jokes are pretty weak and lowbrow, but what this film has is energy. The pacing is fantastic, and whether or not the jokes are funny, it is so consistent with one one-liner after another, it becomes a charming, little, stupid movie.
Basically the film revolves around poor, dimwitted, but sincere Annie trying to save the family restaurant, by finding herself a `Sugar Daddy' in the `big city', Miami. Its your basic country girl in over her head story as Annie's slow, innocent, bumpkin ways crash into all these city folk sensibilities and highjinks ensue. Features cameos by well-faded vaudeville comedians Stubby Kaye and Doodles Weaver. A good notch above other drive-in redneck cinema, obviously some effort was put into it, and it works as a guilty pleasure lowbrow comedy. Its really too bad the makers didn't seem (according to the imdb) to do anything else, because its a good 70's redneck film.
Basically the film revolves around poor, dimwitted, but sincere Annie trying to save the family restaurant, by finding herself a `Sugar Daddy' in the `big city', Miami. Its your basic country girl in over her head story as Annie's slow, innocent, bumpkin ways crash into all these city folk sensibilities and highjinks ensue. Features cameos by well-faded vaudeville comedians Stubby Kaye and Doodles Weaver. A good notch above other drive-in redneck cinema, obviously some effort was put into it, and it works as a guilty pleasure lowbrow comedy. Its really too bad the makers didn't seem (according to the imdb) to do anything else, because its a good 70's redneck film.