10/10
A superb western
17 April 2001
As is often the case with a Clint Eastwood western, High Plains Drifter is rather good.

The usual scenario opens, with Eastwood (playing an unnamed character again) riding into a small mining town, Lagos, where a small group of thugs unsuccessfully try to kill him.

This small act serves as an introduction to the local townsfolk: small-minded cowards who are all talk and no action. They also bear a horrifying secret.

Eastwood is eventually approached to help them fend off an upcoming attack from three criminals who have just been released from prison.

He also suffers from a recurring nightmare, which I will leave to you to find out.

Needless to say, all of the pieces come together by the end, and those of you not astute enough to have noticed will be saying, "of course!"

A good story combines with Eastwood's anti-heroic personality (he never really played a good guy, did he?) and a good supporting cast to produce one of the best westerns of the 1970s. As the Maltin summary states: "Half-serious, half tongue-in-cheek, with great role for midget Billy Curtis."

Curtis plays Mortecai, the town dwarf, who shadows Eastwood around Lagos. Some of the scenes in this are extremely funny, but are balanced by some harshly violent moments, of which Eastwood's nightmares are a prime example.

1985's Pale Rider bears similarity to High Plains Drifter in certain areas, but you'll have to watch that yourself to find out where.
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