A very small film which was born into instant obscurity, WHO KILLED MARY WHAT'S'ERNAME deserves to be exhumed from the graveyard of forgotten movies and given a second look. Red Buttons is surprisingly good in his out-of-character role as a decent Joe Anyman who's trying to unravel the mystery of a hooker recently murdered in a rundown part of the city...a case to which the authorities have been entirely unresponsive.
He comes to find that she was known to the many creatures of the street, but as little more than a nameless, faceless blur in the periphery of a sideways glance.
An unfortunate truth is brought to the fore, that a sizable swath of the population simply doesn't matter...not to each other, maybe not even to themselves. WHO KILLED MARY WHAT'S'ERNAME dares us to look at those we've tuned our backs on in a tactful, but honest portraiture of someone else's America.
5.5/10.
He comes to find that she was known to the many creatures of the street, but as little more than a nameless, faceless blur in the periphery of a sideways glance.
An unfortunate truth is brought to the fore, that a sizable swath of the population simply doesn't matter...not to each other, maybe not even to themselves. WHO KILLED MARY WHAT'S'ERNAME dares us to look at those we've tuned our backs on in a tactful, but honest portraiture of someone else's America.
5.5/10.