The Shooting (1966)
Difficult, complex existential western that is ultimately enthralling
25 April 2003
Most casual film viewers will find Monte Hellman's "The Shooting" to be slow, boring, and pretentious. But serious fans of cinema will be amazed at how terrific this existential morality play really is. Hellman's version of the old West is at once depressing and beautiful, and the rickety production values on display actually enhance the atmosphere. And of course, who can forget that inscrutable ending with echoes to the Zapruder film? This is fascinating stuff for the patient, thoughtful film student.
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