Midlife crisis films are rare beasts, but everybody loves them. Look at the success of "American Beauty," probably the most stereotypical depiction of middle-class America that I've ever seen. Quite shallow in its way, "Beauty" was a hit because of its subject matter - it tackled some taboos and had the nerve to portray the problems of "ordinary" people. But you know what - it had been done before, and better, here.
"Seconds" is the story of a middle-aged banker who undergoes surgery to become - this part is really a gas - Rock Hudson! He's given an outlet to escape from his loveless family life and tedious job, and he becomes a swinging painter/playboy with a beautiful house on the coast. Of course, he soon finds that good looks and money are no substitute for what he really wants - some kind of genuine intimacy in his life.
Is this message a bit too predictable? Oh, I dunno - we all seem to agree that the pursuit of wealth is an empty one, yet we indulge in it all the same. The social problems explored in "Seconds" are still very much with us, and our awareness of these problems certainly hasn't solved them. The film ultimately acts as a powerful, sobering reminder that most of us aren't doing what we really want to do.
Plenty of great style on display here from director Frankenheimer. There's a wonderful "wobbly camera" drunk scene that is so realistic, you'll feel as though you've been hitting the bottle yourself. There's also consistent effective use of point-of-view shots and unusual angles. In terms of subject matter and directorial flair, this film is incredibly innovative...it's taken years for us to catch up to this kind of material, and yet we still haven't topped it. Definitely in my top twenty.
"Seconds" is the story of a middle-aged banker who undergoes surgery to become - this part is really a gas - Rock Hudson! He's given an outlet to escape from his loveless family life and tedious job, and he becomes a swinging painter/playboy with a beautiful house on the coast. Of course, he soon finds that good looks and money are no substitute for what he really wants - some kind of genuine intimacy in his life.
Is this message a bit too predictable? Oh, I dunno - we all seem to agree that the pursuit of wealth is an empty one, yet we indulge in it all the same. The social problems explored in "Seconds" are still very much with us, and our awareness of these problems certainly hasn't solved them. The film ultimately acts as a powerful, sobering reminder that most of us aren't doing what we really want to do.
Plenty of great style on display here from director Frankenheimer. There's a wonderful "wobbly camera" drunk scene that is so realistic, you'll feel as though you've been hitting the bottle yourself. There's also consistent effective use of point-of-view shots and unusual angles. In terms of subject matter and directorial flair, this film is incredibly innovative...it's taken years for us to catch up to this kind of material, and yet we still haven't topped it. Definitely in my top twenty.