Susan Hayward really knew how to pick a good role. From the intensity of 1947's "Smash-Up, the Story of a Woman", to the gutsiness of 1955's "I'll Cry Tomorrow", to everything in between, Hayward left a legacy of amazing characters. Even when the role was horrid (such as 1967's trash-fest "Valley of the Dolls"), Hayward was a real trooper and made it work. Always one to tackle unusual and, oftentimes, unglamorous roles, Hayward really got a chance to sink her teeth into this one - and received an Oscar for her efforts.
In this tough-to-take biopic, Hayward plays Barbara Graham, a party girl who gets in over her head with drug use, prostitution, perjury, and various other illegal acts. As a known "goodtime girl", she has a reputation with the local authorities. One brilliant sequence has the police tracking Barbara across town - apparent fellow neighbors are actually tapped and following her every move. Finally, a supposedly innocent "Babs" gets thrown in the slammer for the brutal murder of an elderly woman. Losing her sense of freedom and any contact with her baby boy, Barbara's life goes from bad (on the street) to worse (in jail). Watching Barbara act-up and defy authority in the prison is actually funny, but what happens next to this wild woman is no laughing matter. Things get as bad as they possibly can when Barbara realizes that she may have to face the gas chamber.
Hayward goes all out in portraying this fascinating character and is totally over-the-top, but completely on target, right up until the very end - and what an ending it is! It'll send shivers up your spine, and the images will linger in your head long after the show is over. The dark, moody photography is top-notch, although the rambunctious jazz score wears out its welcome.
In this tough-to-take biopic, Hayward plays Barbara Graham, a party girl who gets in over her head with drug use, prostitution, perjury, and various other illegal acts. As a known "goodtime girl", she has a reputation with the local authorities. One brilliant sequence has the police tracking Barbara across town - apparent fellow neighbors are actually tapped and following her every move. Finally, a supposedly innocent "Babs" gets thrown in the slammer for the brutal murder of an elderly woman. Losing her sense of freedom and any contact with her baby boy, Barbara's life goes from bad (on the street) to worse (in jail). Watching Barbara act-up and defy authority in the prison is actually funny, but what happens next to this wild woman is no laughing matter. Things get as bad as they possibly can when Barbara realizes that she may have to face the gas chamber.
Hayward goes all out in portraying this fascinating character and is totally over-the-top, but completely on target, right up until the very end - and what an ending it is! It'll send shivers up your spine, and the images will linger in your head long after the show is over. The dark, moody photography is top-notch, although the rambunctious jazz score wears out its welcome.