This holds a special place in my heart, and I still consider it to be absolutely one of the very greatest films ever made for adults. The work of a mature artist, it resonates with Buddhist practice, and is a profoundly moving tale of the suffering of the human condition, the violence of war, the possibilities of art uplifting the spirit, the possibilities of redemption of character. The closing scene is one of such deeply-felt compassion and understanding that it is almost frightening; it prefigures in a way the stunning and more personal close of the subsequent Mizoguchi film "Sansho the Baliff".
On a lighter level, it is an amusingly sly allegory of the actual history of Japan for the 20 or so years prior to 1953, where in the end the women, embittered (or dead) as a result of their men's quixotic quest for military glory or war-profiteering, entreat them to give up their misguided and destructive dreams, settle down, and get back to their real responsibilities.
Which they did.
Originally available on LaserDisc.
On a lighter level, it is an amusingly sly allegory of the actual history of Japan for the 20 or so years prior to 1953, where in the end the women, embittered (or dead) as a result of their men's quixotic quest for military glory or war-profiteering, entreat them to give up their misguided and destructive dreams, settle down, and get back to their real responsibilities.
Which they did.
Originally available on LaserDisc.