Right off the bat, no, I don't speak German, but I wanted to see this depiction of the Titanic. I am truly puzzled by why a German studio and German performers (okay, they were just enjoying the work) would portray what had been English and American characters in such a sensitive and thoughtful light.
I have heard the first officer is a fictional German character, but hey, they were ALL speaking German!
Did this thing do like the English comedy "Allo, Allo" and have the rest of the cast speak German but with American and English accents? That would have been fun to hear.
I got a copy of "Lady and the Tramp" in Spanish and it is delightful to hear the Italian butchers sing their priceless song in Spanish, but now with Italian accents! It actually worked!
But I digress.
I recognize the dropped names, Ismay and Astor, but it seems the majority of the rest of the cast have undergone name changes. Whatever. The captain seems more like der Burgermeister than he does the ted-dibly English Captain E.J. Smith actually was. I was amused by the crewman bringing the captain his jacket on deck and slipping it on him. I thought to myself, an actual English captain would not have appeared on deck unadorned like that.
Our man Ismay here doesn't look at all as he did in real life, which I thought was puzzling. Ismay in this film is slightly grey and no moustache.
I wondered if the nose was striving for some Jewish look, or was it shooting for the English look. About the last time we see Ismay in this thing, he is shrieking like Adolf, so any stereotype either way was done away with.
Wallace Hartley's band on the Titanic consisted of eight members. In this German version, it would be a large oompah oompah band. In the 1929-30 "Atlantic" film, we hear a Charlston band.
As I watched this film, I looked at the extravagance and thought "are they trying to mimick Hollywood?"
The fashion sense to 1912 didn't connect, it was more "buy war bonds" to me.
Everytime the film would be mucking up for me (that German couple) there would be a saving grace (the wireless operator setting the bird free, while not true, was intriguing to observe).
That the racy steerage woman would survive I found interesting. The tenderness extended in these directions, with what was going on in the world at that time, is bewildering and if this film wasn't released back then after completion, I think that was a terrible shame.
Still, this film just stands as one more film version of the Titanic that is perplexing to watch for historical reasons if nothing else.
Not as bad as the 1929 version, and possesses more dimension than the '53 one.
I have heard the first officer is a fictional German character, but hey, they were ALL speaking German!
Did this thing do like the English comedy "Allo, Allo" and have the rest of the cast speak German but with American and English accents? That would have been fun to hear.
I got a copy of "Lady and the Tramp" in Spanish and it is delightful to hear the Italian butchers sing their priceless song in Spanish, but now with Italian accents! It actually worked!
But I digress.
I recognize the dropped names, Ismay and Astor, but it seems the majority of the rest of the cast have undergone name changes. Whatever. The captain seems more like der Burgermeister than he does the ted-dibly English Captain E.J. Smith actually was. I was amused by the crewman bringing the captain his jacket on deck and slipping it on him. I thought to myself, an actual English captain would not have appeared on deck unadorned like that.
Our man Ismay here doesn't look at all as he did in real life, which I thought was puzzling. Ismay in this film is slightly grey and no moustache.
I wondered if the nose was striving for some Jewish look, or was it shooting for the English look. About the last time we see Ismay in this thing, he is shrieking like Adolf, so any stereotype either way was done away with.
Wallace Hartley's band on the Titanic consisted of eight members. In this German version, it would be a large oompah oompah band. In the 1929-30 "Atlantic" film, we hear a Charlston band.
As I watched this film, I looked at the extravagance and thought "are they trying to mimick Hollywood?"
The fashion sense to 1912 didn't connect, it was more "buy war bonds" to me.
Everytime the film would be mucking up for me (that German couple) there would be a saving grace (the wireless operator setting the bird free, while not true, was intriguing to observe).
That the racy steerage woman would survive I found interesting. The tenderness extended in these directions, with what was going on in the world at that time, is bewildering and if this film wasn't released back then after completion, I think that was a terrible shame.
Still, this film just stands as one more film version of the Titanic that is perplexing to watch for historical reasons if nothing else.
Not as bad as the 1929 version, and possesses more dimension than the '53 one.