The hard-boiled dames locked up at San Quentin State Penitentiary are some of the LADIES THEY TALK ABOUT.
Barbara Stanwyck stars in this very enjoyable pre-Code crime drama which takes a Hollywood look at women's lives behind bars. The acting is strictly of the ham variety, with a few histrionics, some heart-string tugging and a surprisingly large dollop of comedy thrown in. Some of the plot developments are absolutely ludicrous, but the viewer should never get bored.
Stanwyck is terrific as the female member of a small-time gang of crooks. Prison gives her a chance to get really tough in order to deal with her situation, but the audience always knows that just a few moments with the right man will have her (rather unconvincingly) melting like butter. Whether brawling with a vicious inmate, assisting in an escape attempt, or going gunning for the guy she thinks betrayed her, Stanwyck is always right on the money for entertainment value.
Three female costars give Stanwyck some great support in the prison scenes. Lillian Roth, as the lighthearted inmate who befriends Barbara, nearly steals the show with her perky personality; she gives the movie one of its brightest moments when she croons 'If I Could Be With You' to a fan photo of comic Joe E. Brown. Frowzy Maude Eburne is a hoot as a bawdy former madam who likes to reminisce about her old 'beauty parlor' from the comfort of her rocking chair. Good-natured Ruth Donnelly is a nice addition, in a small role, as an Irish matron with a big white parrot.
Preston Foster, as a reform revivalist who remembers Stanwyck from their childhood together in Benicia, California, gives an earnest performance, stalwart & steady. Lyle Talbot and Harold Huber appear as members of Stanwyck's gang. Elderly Robert McWade makes the most of his performance as Los Angeles' wily District Attorney.
Movie mavens will spot some fine character actors appearing unbilled: rotund DeWitt Jennings as a cagey police detective; Helen Ware as the no-nonsense prison head matron; Madame Sul-Te-Wan as Mustard, the sassy prisoner who's terrified of parrots; Robert Warwick as San Quentin's stern warden. And that's dear Mary Gordon who appears for only a few scant seconds as a laughing white-haired inmate in the Visiting Room.
Barbara Stanwyck stars in this very enjoyable pre-Code crime drama which takes a Hollywood look at women's lives behind bars. The acting is strictly of the ham variety, with a few histrionics, some heart-string tugging and a surprisingly large dollop of comedy thrown in. Some of the plot developments are absolutely ludicrous, but the viewer should never get bored.
Stanwyck is terrific as the female member of a small-time gang of crooks. Prison gives her a chance to get really tough in order to deal with her situation, but the audience always knows that just a few moments with the right man will have her (rather unconvincingly) melting like butter. Whether brawling with a vicious inmate, assisting in an escape attempt, or going gunning for the guy she thinks betrayed her, Stanwyck is always right on the money for entertainment value.
Three female costars give Stanwyck some great support in the prison scenes. Lillian Roth, as the lighthearted inmate who befriends Barbara, nearly steals the show with her perky personality; she gives the movie one of its brightest moments when she croons 'If I Could Be With You' to a fan photo of comic Joe E. Brown. Frowzy Maude Eburne is a hoot as a bawdy former madam who likes to reminisce about her old 'beauty parlor' from the comfort of her rocking chair. Good-natured Ruth Donnelly is a nice addition, in a small role, as an Irish matron with a big white parrot.
Preston Foster, as a reform revivalist who remembers Stanwyck from their childhood together in Benicia, California, gives an earnest performance, stalwart & steady. Lyle Talbot and Harold Huber appear as members of Stanwyck's gang. Elderly Robert McWade makes the most of his performance as Los Angeles' wily District Attorney.
Movie mavens will spot some fine character actors appearing unbilled: rotund DeWitt Jennings as a cagey police detective; Helen Ware as the no-nonsense prison head matron; Madame Sul-Te-Wan as Mustard, the sassy prisoner who's terrified of parrots; Robert Warwick as San Quentin's stern warden. And that's dear Mary Gordon who appears for only a few scant seconds as a laughing white-haired inmate in the Visiting Room.